Diane Seuss is the author of five books of poetry. Her most recent collection is frank: sonnets (Graywolf Press 2021), winner of the PEN/Voelcker Prize and the National Book Critics Circle Award for Poetry, and a finalist the 2022 Kingsley Tufts Poetry Award,...

BWRfeels more like my childhood home at 6:30 in the evening and during the middle of Summer, when the light would be coming in through the back porch in that sort of yellow orange tint, but my Grandmother had little crystalline structures that laced the edges of the windows and they’d scatter prisms across the hardwood, on the couch, the coffee table, the walls.

Su Cho is a poet and essayist based in Milwaukee, Wisconsin. Her essay “Cleaving Translation” won Sycamore Review’s Nonfiction Prize and was nominated for a Pushcart Prize. Her work can be found in GEN Medium, Black Warrior Review, New England Review, Poetry, Gulf...

BWRfeels more like my childhood home at 6:30 in the evening and during the middle of Summer, when the light would be coming in through the back porch in that sort of yellow orange tint, but my Grandmother had little crystalline structures that laced the edges of the windows and they’d scatter prisms across the hardwood, on the couch, the coffee table, the walls.

Paul Tran is the recipient of the Ruth Lilly & Dorothy Sargent Rosenberg Fellowship from the Poetry Foundation and Discovery/Boston Review Poetry Prize. Their work appears in The New Yorker, Poetry Magazine, and elsewhere, including the Netflix movie Love Beats...

I’m looking for humor and play and lyricism. I’m looking to be surprised, I’m looking to be taught.

BWRfeels more like my childhood home at 6:30 in the evening and during the middle of Summer, when the light would be coming in through the back porch in that sort of yellow orange tint, but my Grandmother had little crystalline structures that laced the edges of the windows and they’d scatter prisms across the hardwood, on the couch, the coffee table, the walls.

To me, experimental writing is writing that doesn’t engage/intersect with the western gaze. Work that foregrounds other cultures/other ways of “seeing” are exciting and right up my alley.

To me, experimental writing is writing that doesn’t engage/intersect with the western gaze. Work that foregrounds other cultures/other ways of “seeing” are exciting and right up my alley.