FEATURE
44.2 feature: Thirii Myo Kyaw Myint reads BLISS PLACE
Thirii Myo Kyaw Myint was born in Myanmar and grew up in Thailand and California. She is the author of The End of Peril, the End of Enmity, the End of Strife, a Haven (Noemi Press, March 2018). Her short stories have appeared in TriQuarterly,...
44.2 Sneak Peek: MARY by Carlina Duan
Carlina Duan hails from Michigan, and is the author of I Wore My Blackest Hair (Little A, 2017). Her poems have appeared or are forthcoming in Tinderbox Poetry Journal, Tupelo Quarterly, and Narrative Magazine, among others. She is a current MFA...
44.1 Feature: Craft Essay by Aristilde Kirby
The poem as translation, the star collapsing on itself, a collective locus for brightness in the infinitude of space has potential for renewal outside the bounds of copyright.
44.1 Feature: Craft Essay by Angela Pelster
I needed to turn the words of the oppressors against them, to somehow find within the original language an act of resistance, a betrayal of the idea of superiority, and to pull out the seed of justice buried so deeply within the injustice.
44.1 Feature: CHOOSE YOUR OWN by Debbie Vance
You are sitting in your daughters’ bedroom, holding a fistful of hot pink feathers that you’ve just torn methodically from the boa that now lies naked like a snake skin on the floor.
44.1 Feature: An Interview with Leslie Sainz
“Integer,” is ultimately a narrative concerned with the difficulties of familial, and institutional forgiveness.
44.1 Feature: Sabrina Orah Mark Reads FOR THE SAFETY OF OUR COUNTRY
Sabrina Orah Mark is the author of the the poetry collections The Babies and Tsim Tsum. You can visit her at sabrinaorahmark.com. For the Safety of Our Country by Sabrina Orah Mark Listen to Sabrina Orah Mark read "For the Safety of Our...
44.1 Feature: Craft Essay by L. Vella
This series of poems began with the idea of a twin Earth lost on the other side of the sun, eclipsed, antipodal.
44.1 Feature: Craft Essay by Jill Schepmann
When I think about how to write about bodies, it seems negligent to only speak of one or to do so speaking alone. I felt that desire to see and reach others when I wrote “What Grows Inside,” and tried to make space for those other voices and experiences.
44.1 Feature: sam sax Reads S A T Y R I A S I S
sam sax is the author of Madness (Penguin, 2017) winner of The National Poetry Series and ‘Bury It’ (Wesleyan University Press, 2018) winner of the James Laughlin Award from the Academy of American Poets. He’s received fellowships from the NEA,...