welcome to the

 

BOYFRIEND VILLAGE

welcome to the

 

BOYFRIEND VILLAGE

Boyfriend Village is Black Warrior Review’s online edition, released once and sometimes twice a year. 

In March 2018, BWR chose to rename and reconfigure its online issue in honor of Zach Doss, who had passed away unexpectedly. Zach was a dedicated BWR Editor and a brilliant writer of queer, fabulist, surprising works; Boyfriend Village has become a special haven for such writing and much, much more. 

In honor of Zach’s bold vision and legacy, Boyfriend Village seeks to be a fully accessible space for unusual, boundary-pushing literary content, especially work from the margins, work that makes exciting use of digital platforms, and work that other well-established journals might overlook. We hope that with the increased online presence Boyfriend Village allows, we might provide a larger platform for underrepresented aesthetics and writing communities. Work found in Boyfriend Village resists and challenges notions of “the page” alongside other extraordinary pieces you might expect to find in the print issues of BWR.

Every issue of Boyfriend Village has a new Online Editor, who selects a new theme and keeps the village refreshed and moving forward, even as it honors a vital part of BWR history.

All Boyfriend Village contributors are paid for their work.

 

 

2025 Boyfriend Village: Temporal Boyfriend

 

Black Warrior Review is seeking submissions of all genres for our ninth edition of Boyfriend Village: Temporal Boyfriend.

 

Time is both a fluid dimension and an uncrossable partition. Whether it’s the many different customs that contradict the Gregorian calendar, or the scrambled and inconsistent breaking up of time zones all around the Earth, our radically opposed definitions of time influence how our societies think and interact. While some cultures rely on rigid schedules or almanacs to coordinate their livelihoods, others embrace the unpredictability of polychronic rhythms. The malleable nature of non-linear time, for example, has long influenced Indigenous storytelling—deeply embedded cultural knowledge that negates strict Western interpretation.

Throughout history, the class that has controlled the clocks has controlled the masses. Capitalist regimes have appropriated circadian rhythms to extract productivity, but who among us would argue that the 9-5 is perfect? One of the few universal truths of humankind is the certainty of death, yet each religion interprets it with contrasting timelines: from black-and-white afterlife narratives to the never-ending cycle of rebirth. How might citizens of distant territories sync their clocks to time zones prescribed by faraway capitals? How is the immigrant experience affected not only by geographical borders, but also the temporal boundaries that divide a people from their homeland? Even memory, the bedrock of our minds, is fluid and fickle when interrogated. How does its relativity influence the historical narratives we choose to regurgitate or eradicate?

Temporal Boyfriend wants to be taken time-traveling. We seek your stories that unstick us from time, your poems that melt the clocks off the walls, your essays that unspool memory before our very eyes. We crave artwork that shatters the hourglass, narratives that break us free from the traditional boundaries of genre, medium, and interpretation, leaving us to interrogate our yesterdays in contrast to our dreams of tomorrow. Temporal Boyfriend craves your non-linear delineations, your unreal realities. We want to know what makes your watch tick. So, rev up your DeLoreans, and take Temporal Boyfriend for a ride—speed us up or slow us down, turn us inside-out and upside-down. All we ask is that you leave our assumptions of reality firmly in the dust.

 

This year’s editor is Michael Wesner, and you can learn more about his vision for this year’s Boyfriend Village on Instagram.
 
 
Submissions are open between May 15th, 2024, and June 15th, 2025. While themed, this is open to interpretation. If you think your boyfriend(s) might belong in our village, don’t hesitate—send them along!
 
 
There is one submission category for all genres. We accept fiction, poetry, nonfiction, hybrid, visual and multimedia art, as well as sound collage, video, games, and more. For graphic, audio, and visual work, if Submittable accepts the file type, so will we! Color images are welcome. If submittable doesn’t accept the file type, feel free to email us at onlineeditors.bwr@gmail.com.
 
 
You may use your cover letter to tell us as much or as little about yourself & your work as you like. Simultaneous submissions are welcome. Though we welcome submissions of all forms of art, the following are general guidelines on length: For prose, under 7000 words is preferable. For flash (pieces under 1000 words), you may include up to three pieces. For poetry, five poems or less is ideal. Again, these are just guidelines; they’re here to give you an idea of the typical length we’re willing to accept. For submissions that can’t be measured by word count, just keep in mind how much time is needed to fully engage with the work. We suggest that you look through past issues of Boyfriend Village as a guide on what would be an appropriate length to submit.
 
 
AI Statement: Work that has been created in any part with the assistance of AI tools is not eligible for submission or publication.
 
 
There is a $5 submission fee. Submission fees are used to compensate contributors. If you need a fee waiver for any reason, please email us at feewaiver.bwr@gmail.com to request one.

 

See more below: 

  •  Zach Doss’s Grace Paley Prize-winning collection Boy Oh Boy from Red Hen Press
  • BWR print issues 42.1 and 42.2 edited by Zach Doss

Zach Doss
1984–2018