BOYFRIEND VILLAGE
BLACK WARRIOR REVIEW
Lane Line
my discomfort over death.
Mine, specifically.
Mine, selfishly.
Others, I handle the loss with
what might be called dignity.
Or detachment.
When Jeremy died, fallen
from a cliff, literally the
metaphor for suddenness,
I’m not sure I ever cried.
The cliché of a cliff, for
fuck’s sake.
On the way to Johnson City
for the funeral, passing through
the Smokies, living up
to their name, green-gray
in the mist, layered construction
paper, the sun where it should be,
properly yellow in the corner
of the page, I felt something then.
Not tears, but
their possibility?
On my commute this morning,
a new lane line awry. The
straight yellow ending
in a flourish.
Make things more confusing
to slow traffic.
Leaving Tennessee, I drove
to Atlanta, where I made
out with a woman I’d met
at my other friend,
Kirk’s, funeral.
(Brain cancer.)
2009 was a shit year.
I’ll assert that neckin’ is
a valid response to grief.
Some moments feel
more like love than
others.
Let’s bring back the term
“neckin’.”
Let’s all
“go steady.”
I can’t remember past lives,
but I remember my most
primitive, prelinguistic
ancestors pausing to watch
water, leaves in a breeze, fire.
Fire defies even the
scientist’s understanding
of fire.
If I can remember 300,000
years ago, maybe, too,
I can foresee 300,000 years
ahead.
In movement lies
our immortality.
This is my last will and
testament:
Cremate my body
(I don’t say me because
me will be missing)
and toss it in the dumpster
in the lane behind Pinkie’s.
If you’re so moved,
raise me a toast.
If I’m still anywhere,
it will be in the light
refracted through the facets
of the bottom of a glass.
Light trapped like fire.
Not me, no, but alive.
The author reads “Lane Line”
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