Featured Artist

Danielle Byington

Artist’s statement:

“I’m stepping into my office with so many messages to answer, getting out the canvas, exhaling color and form in reply, into meaning, into wherever we are now, blowing out candles on a birthday cake, the extinguished flames now gossamer runes. Consciousness asks if this blot is famous, or if I’m related to that line smudged by the heel of my palm as I answer the phone. It’s hard to hear. The connection is cutting out the picture I had in mind, the mind’s eye, some neuropeptide suddenly reminding me about that time I fell in gym class, 1998-glitter headband scratching down into my eyes, and I see the colors I have been painting all along, the burning Madonnas I sketch, tourists tipping me all this time.

“Now the invoice is printing. Only a minor charge for the damage that happened in Pompeii, still life cremated by this irrational Earth, and I have rendered something in my youth while dying, and perhaps you will look upon it while we’re all dying–every day–and feel alive, every day. Watercolor beads across my paper like God’s tongue stretching down to the Earth with colossal yawn, and resting on the taste buds is a city so blithe with identity and money that it will be swallowed upon waking. My technique? It’s always on the tip of my tongue.”

As you explore the gallery, click to enlarge each image.

Azalea Outside My Window in May with a Blue Jay

The Birth of Venus Upside Down

They Called Helen of Troy a Weed but She Kept Growing Anyway

Knight Takes Pawn to Pet Tigers on the French Riviera

Tea Party with Goddesses

Ironic Self-Portrait of Girl Munching Popcorn in the Apocalypse

Bacchus in Temecula

Self-Portrait on the Train from Granada to Madrid

Digging Ophelia out of Her Grave

Juliet’s Crypt

The Giant Storm on Jupiter

Danielle Byington is an educator, artist, and PhD Candidate in University of Jaén’s online Languages and Cultures program where she focuses on early modern English literature, as well as word and image studies. Her doctoral thesis explores the origins of Ophelia’s death iconography, and her research on the topic has been published with the London Centre for Interdisciplinary Research (Palgrave-Macmillan) as well as in MAI: Feminism & Visual Culture (U. of Gothenburg). As a visual artist working primarily with collage, her work frequently portrays women from mythology, literature, and history. Across the body of her artwork, Byington utilizes a pattern of Xs which she describes as “wallpaper,” an element skewing our concept of home. Byington enjoys life with her Shakespearean-scholar husband and their ridiculous cats.